Dinu Lipatti’s Repertoire – Chamber Music

It is a little known fact that Dinu Lipatti was a skilled and enthusiastic chamber music performer. In his teens at the Ecole Normale de Musique in Paris, he had a trio with his fellow students Ginette Neveu and Antonio Janigro. He would tour Switzerland in 1947 with Janigro but it doesn't seem as though he played with Neveu again, a real loss for posterity, especially since both of them were EMI recording artists. While he recorded his godfather Georges Enescu's second and third Violin Sonatas with the composer performing, he didn't officially record any chamber music from the mainstream repertoire. However, he did record six works with Antonio Janigro as a test for Walter Legge in May 1947, but these were never released in his lifetime and only a few shorter works were found and issued in 1994 (this will be the subject of another post). Below are all of the chamber music works that Dinu Lipatti is known to have played in public, and his private repertoire was doubtless larger: violinist Lola Bobescu spoke of them having played a Mendelssohn Trio together. Bach Sonata No.3 in E Major for Violin and Piano, BWV 1016 Sonata No.2 in D Major for Cello and Piano, BWV 1025 Beethoven Sonata No.6 in A Major for Violin and Piano, Op.30 No.1 Sonata No.7 in C Minor for Violin and Piano, Op.30 No.2 Sonata No.10 in G Major for Violin and Piano, Op.96 Sonata No.3 in A Major for Cello and piano, Op.69 Trio No.4 in B Major, Op.8 Brahms Liebeslieder Walzer Op.52 for Two Pianos and Singers Sonata No.1 in E Minor for Cello and Piano, Op.38 Trio No.1 in B Major, Op.8 Chopin Nocturne in C Sharp Minor for Cello and Piano, Op. Posth. Enescu Sonata No.2 in F Minor for Violin and Piano, Op.6 Sonata No.3 in A Minor for Violin and Piano, Op.25 Impressions d'enfance (Suite for Violin and Piano), Op.28 Fauré Sonata No.1 in A Major for Violin and Piano, Op.13 Sonata No.2 in E Minor for Violin and Piano, Op.108 'Après un rêve' for Cello and Piano (after Melodie Op.7 No.1) Franck Sonata in A Major for Violin and Piano Lipatti Sonatina for Violin and Piano Fantaisie cosmopolite for Violin, Cello, and Piano Mozart Sonata in G Major for Violin and Piano, K.379 Sonata in A Major for Violin and Piano, K.526? Ravel 'Pièce en forme de Habanera' for Cello and Piano Rimsky-Korsakov 'The Flight of the Bumblebee' for Cello and Piano Schubert Trio No.1 in B-Flat Major, D.898

Scheduled Lipatti Work Projects

Before he died, Dinu Lipatti mapped out his proposed repertoire for the coming years. This information was only published in the booklet accompanying the memorial release of his Columbia recordings in a 5-disc set in 1955 and then on my previous website. The thought of Lipatti performing these works is tantalizing to say the least, and the unorthodox programming also gives great insight into his unique approach to music: Summer 1950 Brahms - Concerto in B-Flat Major Stravinsky - Capriccio [i] Summer 1951 Recital No.7 Bach - Prelude and Fugue in A Minor Haydn - Sonata in C Minor Beethoven - Sonata in B-Flat Major, Op.106 Chopin - Sonata in B-Flat Minor, Op.35 Summer 1952 Beethoven - Concerto No.4 in G Major Franck - Variations Symphoniques Summer 1953 Recital No.8 Bach - Chromatic Fantasia and Fugue Bartok - Suite Op.14 Beethoven - Sonata in D Minor Op.31 No.2 Brahms - Variations on a theme of Handel Summer 1954 Tchaikovsky - Concerto in B-Flat Minor [ii] Hindemith - Concerto [iii] Summer 1955 Recital No.9 Bach - Italian Concerto Stravinsky - Sonata Liszt - Sonata Debussy - 12 Preludes Summer 1956 Chopin - Concerto in F Minor [iv] Lipatti - Concerto [v] Summer 1957 Recital No.10 Bach - Three Preludes and Fugues from the Well-Tempered Clavier Chopin - 12 Etudes Op.10 Bach - Three other Preludes and Fugues Chopin - 12 Etudes Op.25 [i] Lipatti had actually performed the Capriccio in the 1930s and was no doubt refreshing it here. It is interesting to note that a critic in Bucharest wrote that he found Lipatti’s style of playing more suited to the Capriccio than to the Mozart Concerto he played it with that night. [ii] It is likely the fact that Lipatti planned to study the work in 1954 that led Walter Legge to say that Lipatti needed four years to prepare the work, though it is possible Lipatti might have said something along those lines as well. However, there is correspondence indicating that Lipatti had agreed to record the work with Karajan in 1949, but as Legge had already discussed recording the work with Malcuzynski, the project was nixed. [iii] It is unclear if this is The Four Temperaments or if Hindemith was planning on writing a concerto for Lipatti. The two artists had performed together in Lucerne in 1947. [iv] Walter Legge had written that he first heard Lipatti in a rehearsal for Chopin’s F Minor Concerto. In fact, he never played it and it must have been the E Minor Concerto. [v] In a recorded interview with Henri Jaton on August 23, 1950, Lipatti stated that he hoped to write a piano concerto (starting at 3:50 in the presented audio clip)